Los testimonios de los aficionados permiten afirmar que la práctica informacional es un todo coherente, todas las actividades conectadas entre sí e integradas al estilo de vida de cada persona. Hallazgos: Los estudios encontrados en la literatura sugieren que hasta el momento no se ha explorado el comportamiento informacional musical de una manera integral, sino cada actividad por separado.
Los datos recolectados fueron analizados deductivamente a partir de las categorías halladas en los referentes conceptuales, y comparándolos con una revisión de 50 estudios previos hallados en la literatura. Se llevaron a cabo entrevistas a profundidad y observaciones con 18 aficionados a la música, 9 de música tango, 9 de música metal. Propósito: La presente investigación tiene como objetivo comprender las prácticas informacionales de los aficionados a la música, en particular aficionados al tango y al metal en la ciudad de Medellín.ĭiseño/metodología/enfoque: Basado en tres referentes conceptuales, la teoría de la práctica social, la perspectiva del ocio serio y el modelo de transferencia de la información, se diseñó un estudio de enfoque cualitativo, con alcance exploratorio y descriptivo. The findings are an original and novel description upon which it is posible to conduct further studies. Originality/value: This study proposes a new theoretical and practical approach to the subject. A model for information practice is presented that describes all these elements.
Personal factors sucha as general understandings, values and world view are the ones that have greater incidence upon the practice, more so tan sociodemographic factors. The statements gathered from fans allow us to assert that an information practice is a coherent whole, all its activities are connected to each other and integrated with each person‟s lifestyle. The collected data was analized deductively using categories found on the conceptual models, and comparing it with the findings of a review of 50 previous studies found on the literature.įindings: The studies found on the literature suggest that up to this moment, music information behaviour has not been studied in a comprehensive manner, rather each activity has been viewed as isolated from others. In-depth interviews and observations were carried out with 18 music fans, 9 of tango music, 9 of metal music. It is a fascinating commentary on the soundtrack of daily life in the metropolis of the late twentieth century.Purpose: The following research study is aimed at understanding the information practices of music fans, particularly fans of tango music and metal music in the city of Medellín.ĭesign/methodology/approach: Based on three conceptual starting points, a social practice theory, the serious leisure perspective, and the information transfer model, a qualitative study was designed, with an exploratory and descriptive scope. Musica Practica assumes no specialist knowledge of music beyond an ordinary familiarity with common terms and an average acquaintance with the music of different styles and periods. The book concludes with reflections on the rise of modernism and the dissolution of the European tradition in a sea of postmodernism and “world music.” Tracing the growth of musical printing and the creation of a market for the printed score, he examines the transformation of patronage with the demise of the ancien régime, and draws on little-known texts by Marx to analyze the formation of the musical economy in the nineteenth century.Ĭhanan sketches out an unwritten history of musical instruments as technology, from Tutankhamen’s trumpets to the piano, the ancient Greek water organ to the digital synthesizer. He appraises the psychological wellsprings of music using the insights of linguistics, semiotics and psychoanalysis. Citing evidence from Barthes, Nietzsche, Bakhtin, Max Weber and Schoenberg, Michael Chanan explores the communal roots of the musical tradition and the effects of notation on creative and performing practice. Musica Practica is a historical investigation into the social practice of Western music which advances an alternative approach to that of established musicology.
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